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Ecce Mole

I 2025, 28 min

Two Buildings by Alessandro Antonelli (1798 - 1888).

Synopsis

Photography and beyond – Part 36.

“Earlier I walked past the Mole Antonelliana, perhaps the most brilliant work of architecture ever built - strangely, it has no name - as a result of an absolute drive into the heights - it recalls nothing so much as my Zarathustra. I baptized it Ecce homo and in that spirit placed an enormous free space around it.” - Friedrich Nietzsche, 1888 

Part 36 in Heinz Emigholz’s Photography and beyond series, ECCE MOLE contrasts two buildings designed by Italian architect Alessandro Antonelli (1798–1888) in Turin, located 500m apart: the private residence Casa Scaccabarozzi, more commonly known as the Fetta di Polenta (1840), and the Mole Antonelliana (1889). The Mole was initially intended to serve as a synagogue but was acquired by the city before its completion and became a monument to national unity, and ultimately the symbol of Turin. Dominating the city’s skyline, it remains the tallest unreinforced brick building in the world at 167.5m. Since 2000 the Mole has housed the National Museum of Cinema (Museo Nazionale del Cinema).

ECCE MOLE is a concise and mysterious study of opposites: public and private; interior and exterior; up and down; reality and cinema; heaven and hell. It is the first of five short films commissioned by the Museo Nazionale del Cinema on the occasion of its 25th anniversary in the building. The shooting of the film took place in May 2025.

Aktuell

Serbian premiere at the Belgrade Auteur Film Festival - Q&A: Mark Peranson (Producer)
-11/22, 11/25, Jugoslovenska kinoteka, Dom kulture Studentski grad
Spain premiere at the Gijón International Film Festival - section "Esbilla"
-11/14-22
Austrian premiere at the Viennale in Wien - Q&A: Mark Peranson (Producer)
-10/27-28, Filmmuseum, Metro
German premiere at the Duisburger Filmwoche
-11/4, Filmforum Duisburg
Portugal premiere at the XXIII Doclisboa IFF / New Visions - Q&A: Mark Peranson (Produzent)
-10/20, 10/23, Culturgest - Pequeno Auditório
Italian premiere at the Rome Film Fest - Q&A: Heinz Emigholz
-10/19-20, Maxxi, Giulio Cesare - sala 7
World premiere at the 63rd New York Film Festival - section "Currents" - Q&A: Heinz Emigholz
-09/27-28, Francesca Beale Theater

Press reviews

The latest entry in Heinz Emigholz’s (Slaughterhouses of Modernity, NYFF60) incisive, decades-long inquiry into the cinematic representation of space contrasts two Turin landmarks designed by Italian neoclassical architect Alessandro Antonelli: the narrow Casa Scaccabarozzi and the towering Mole Antonelliana, now home to the Museo Nazionale del Cinema. With Emigholz’s signature metrical cutting and oblique framings, Ecce Mole explores cinema’s own spatial and symbolic dimensions through the buildings’ opposing scales and functions—interior and exterior, domestic and civic, modest and monumental. - New York Film Festival, 2025

 

Awards and Festivals

- New York Film Festival #63 im Lincoln Center, 2025
- Rome Film Fest #20, 2025
- XXIII Doclisboa IFF / New Vision, 2025
- Viennale, 2025
- Duisburger Filmwoche, 2025
- Gijón International Film Festival, 2025
- Belgrade Auteur Film Festival, 2025

Additional Texts

DIRECTOR’S STATEMENT 

“All architecture is what you do to it when you look upon it,” said Walt Whitman, and I agree with that. I film buildings, from caves to cathedrals, with or without people. La Mole was one of the weirdest, and we had to go deep into its cellars and constructional details to unlock some of its mysteries.

- Heinz Emigholz

Credits

Director
Heinz Emigholz
Cinematography and Editing
Heinz Emigholz, Till Beckmann
Original Sound Recording
Ueli Etter
Music
Kreidler
Sound Design and Mix
Christian Obermeier,  Jochen Jezussek
Postproduction and VFX
Till Beckmann
Producers
Heinz Emigholz, Mark Peranson
Production
Heinz Emigholz Filmproduktion, Museo Nazionale del Cinema Torino
Funded by
Mole Antonelliana, Museo Nazionale del Cinema Torino, Präsident: Enzo Ghigo, Vizepräsident: Gabriele Molinari, Vorstand: Allessandro Bollo, Paolo del Brocco, Elisa Giordano, Direktor: Carlo Chatrian, Fetta di Polenta: Franco Noero
Thanks to
The filming at La Mole took place in May 2025 when the exhibition The Art of James Cameron (February-August 2025) was in place. A special thanks goes to Avatar Alliance Foundation, to Kim Butts and Maria Wilhelm, and to the Cinémathèque Française, producers of the exhibition

World premiere
New York Film Festival, 2025

Distribution Details

Screening Format
DCP (4K, 25 fps, 5.1)
Aspect Ratio
16:9
Language
International Version (no dialogue)
License Area
Worldwide